Blending rock, folk, country, jazz, bluegrass, blues, and more genres, the band’s brand of psychedelic music has become the stuff that legend is made of-especially via the band’s live shows, which often include lengthy jams that could last 10, 20, 30 or more minutes. “Jerry Alfred Garcia Hitchcock.” Grateful Dead Studies 2 (2015/2016): 27–44.The band was formed (under a different name) in 1965 in Northern California in the city of Palo Alto. “‘Let Fate Decide the Rest’: The Grateful Dead, Quietism, and the Politics of Utopia.” Grateful Dead Studies 2 (2015/2016): 12–26. “From “Dark Star’ to Cherry Garcia: Four Subframes in Rolling Stone that Link Phish to the Grateful Dead.” Grateful Dead Studies 2 (2015/2016): 64–79. “‘We Can Share What We Got of Yours’: Reflections on the Copyright Paradox in the Grateful Dead Community.” Grateful Dead Studies 2 (2015/2016): 45–63. Articles and Chaptersīalter-Reitz, Susan. Note: individual research articles listed below. “Please Don’t Dominate the Rap: The Grateful Dead and the Columbia University Student Strike.” The S ixties 9, no. “When the Grateful Dead Joined the Columbia Strike, Friday, May 3, 1968–What Some Friends Heard, Saw, and Said.” The Sixties 9, no. Heads: A Biography of Psychedelic America. Lebanon, NH: University Press of New England, 2016. 2016 Books and Journal Issuesīenson, Michael. “‘The Music Never Stopped’: Naming Businesses as a Method for Remembering the Grateful Dead.” Journal of Cultural Geography 34, no. Gunderman, Hannah C., and John Patrick Harty. “Moral Capitalism in the Age of Great Dreams: The Grateful Dead’s Struggle to Craft Right Livelihoods.” The Sixties 10, no. Oakland, CA: University of California Press, 2017. Listening for the Secret: The Grateful Dead and the Politics of Improvisation. “Makin’ the Seen: Synesthesia, the Grateful Dead, and the Total Work of Art.” Grateful Dead Studies 4 (2019/2020): 86–106. “The Grateful Dead Subculture in Israeli Society: A Preliminary Study.” Grateful Dead Studies 4 (2019/2020): 127–143. “Some Structural and Expressive Variations in Performances of Six Grateful Dead Songs.” Grateful Dead Studies 4 (2019/2020): 107–126. “Liveness and the Grateful Dead.” American Music 37, no. ![]() “‘All That’s Still Unsung’: Agamben’s Potentiality and the Grateful Dead.” Grateful Dead Studies 4 (2019/2020): 60–85.ĭaley, Mike. “‘Spring from Night into the Sun’: Metaphors of Dark and Light in the Music of the Grateful Dead.” Grateful Dead Studies 4 (2019/2020): 16–39.Ĭoffman, Christopher K. Articles and Chaptersīackstrom, Melvin J. ![]() “‘Comedy Is What We’re Really About’: The Grateful Dead in a Comic Frame.” Americana 19, no. “Improvisation and Value in Rock, 1966.” Journal of the Society for American Music 14, no. ![]() The Tragic Odes of Jerry Garcia and the Grateful Dead: Mystery Dances in the Magic Theater. If you know of an entry that should be added, please email us at info. This bibliography is a work in progress and is under construction now entries will be added steadily in the coming months. The bibliography is arranged by year and separated into two categories: books and journal issues, and articles and chapters. The scope is limited to works that focus on the band and its impact it should be noted that the Dead figure in many larger and comparative treatments that are not listed here. ![]() This bibliography lists the scholarly publications on the Grateful Dead phenomenon.
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